A year ago in March, I came to the realization that unless I put my writing first, it was never going to get done. My life needed to revolve around my screenwriting, instead of the other way around. That was when I started getting up at 5 and writing for two hours before my kids got up and the day kicked in. It wasn’t perfect, since some of the time was inevitably claimed by dogs, coffee, and a bite to eat, not to mention regular old daydreaming. For the most part, though, it was quite productive. As they say, an ounce of morning is worth a pound of afternoon.
Every once in a while (or more often), I get a notion that if I’d take that morning time to get other things out of the way, I’d have even more time to write during the day. Inevitably, I try it. Sometimes for a week, or two, or even longer. And every single time, I discover that it doesn’t work. When I get up and write first, I may or may not get back to it during the day, but at least I know I got some writing in and the most important thing was taken care of. When I use the time for other things, like this blog, I sometimes get the writing in later and sometimes I don’t. Inevitably, my project stalls, I lose interest, then have to work myself up into a frenzy of motivation, and get back to my morning writing.
The main reason I am sharing this is to come clean and admit that even though I continue to work hard and improve regularly, I am far from perfect. It’s also good for me to have a written account of the struggle to refer back to the next time I start thinking the mornings could be used more constructively. Maybe I’ll save myself the trouble next time.
Another reason I wanted to reiterate the importance of daily, scheduled, uninterrupted writing time, is that I am seriously thinking about setting myself a new goal of a draft per month for twelve months. In that way, I’ll be building up a body of work samples, flexing my screenwriting muscles and getting closer to those 10,000 hours it takes to master a craft, according to Malcolm Gladwell. I know it’s a very lofty and difficult goal, but the outcome can only be positive. What have I got to lose, after all?
I’ve been writing screenplays for a few years now. I took classes and have a great set of tools to take me from inception through final draft. I have a working support alliance, and I’m evaluating scripts for students at my old school. It’s time to sh*t or get off the pot, as my dear departed Mom would have said. I’d like to think she’d be proud of me. Is there anyone out there who would care to join me in a draft per month for twelve months? Happy writing!