Prep for Success

If you’re a relative beginner, like me, it is time to accept  that screenwriting comes with a long and difficult learning curve.

In addition to the daily requirement of  hours at the keyboard, one of the ways you can set yourself up to succeed is through ongoing involvement with screenwriting classes. Mine is with Writers Boot Camp. They have a great set of tools and a serious commitment to creating professional writers. They also have networking opportunities and events, and many other opportunities to stay involved.  If you are starting out, I couldn’t recommend it more. I started back in June of 2009 with Basic Training, the six-week class. I’d been trying to teach myself the craft from books for over a year, and could barely get my script out of Act One. I took the six week class and had a real first draft of the feature I was writing, complete with beginning, middle and end.

Because I loved the class and really wanted to do this, I enrolled that September in Project Group. The first six months was done online with one-on-one sessions by telephone with my instructor. The tools they teach are very difficult to grasp at first, and it was frustrating to me that I had to work so hard at them. Instead of an A+ and a pat on the back I’d get notes on how to make them stronger. The philosophy at WBC is that the focus is not on whether your work is good or bad, but on the goal of making a draft industry-worthy. I could see myself improving and the value of the system, but at the same time I had never worked so hard for so little positive reinforcement.

After the online portion of the course, I attended a class in New York City every two weeks, with weekly phone sessions with my instructor. I was lucky to live where I could take the course live, and even more lucky to have a very dedicated teacher who was willing to go over and above the call of duty. Since I knew TV was where I wanted to be, he suggested I do extra work to break down and study some of my favorite shows. With his help, I learned what made them work and how to bring some of those elements into my own writing.  By the time I finished the two year program, the tools clicked into place and were of great benefit to my writing process. My understanding of them continues to grow and so does their usefulness to me.

Being hard-working and committed to my writing, after the 2-year program I was invited to join Bivouac. It’s an alumni group designed to bridge the gap between Project Group and Professional Writer. In addition to a monthly meeting, I finally got my chance to evaluate scripts, which is nearly as valuable to my education as the tools of WBC. I was carefully trained to assess student scripts according to a strong set of guidelines and focused notes. The process is so effective that it allows me to help every single writer to advance to the next-stepping stone and make their script better. It has been incredibly rewarding and has a profound effect on my own writing.

If you want to be a screenwriter, it can help to surround yourself with people who have similar goals. Find a great teacher  and develop a writing process that works. If you are willing to use the available resources and work hard to master the craft, then it the question of “if,” becomes a question of “when.”

These are some of the ways I have set myself up to succeed, and I’d love to hear about yours. Keep writing…

Goals Review

It’s a whole new month – the summer is flying by and I’ve hardly blogged at all. I’ve been very busy, interning for a production company, writing my original pilot, looking for paid work and reading and evaluating scripts. Not to mention trying to keep my two lazy teens busy and all the maintenance tasks life requires, as well as helping my husband with his business. Is it any wonder I can’t find time to blog? Nonetheless, it’s important to me and I am re-committing to a regular publication. Ideally I’d do one each day, but will be happy with once or twice a week.

I decided this would be a good time to review my goals. Here is the list I made of New Year’s resolutions for 2012, along with a progress report on each one:

  1. + Continue to work on my screenplays every day, 5 – 7 times per week  — I’d say I’ve done a fairly good job at this. I write steadily, and if I miss a day or two I give myself a stern talking to and remind me what my priorities are, and that the writing comes first.
  2. + Keep a blog – Also a successful endeavor! I may not have blogged as much as I hoped I would, but at least I’ve blogged each month. There’s always room for improvement
  3. – Exercise 3 – 5 times per week – I’ve barely gotten to the gym, and now I know that I really need to in order to keep up with the pace of the life I want. Unfortunately, I’m not twenty anymore
  4. – Get back to Flylady’s housework plan: minimum input for maximum output – the house is a wreck and Flylady’s emails remain largely unopened
  5. – Open the mail and process daily; keep the finances organized and running smoothly – The finances are a mess and the mail piles up by the time I get to it. Thank the universe that most of the bills are paid through online banking!
  6. + Eat healthier; get the kids to eat healthier – I definitely changed our eating habits for the better, and am making healthier choices when I shop
  7. + Get out more instead of isolating at home – I’d still rather stay home, but it’s much easier to get out during the summer. Besides, interning for the production company I don’t really have a choice. I’ve also been better about making plans and meeting friends socially
  8. + Start that writing group and do more networking – I started a writing group, which worked for a while and died off. I’m in Bivouac, which is a professional writers group, and I’m doing quite a bit of networking
  9. – /+ Get a job writing for TV – okay, maybe that wasn’t a realistic goal. But I did enter the fellowship competitions at Disney/ABC, NBC Writers on the Verge and WB. Unlike last year, my applications were awesome, prepared ahead of time and my sample was very strong and tight. Who knows? I could hear from them… stranger things have happened.
  10. + Say yes to all opportunities – Yes, I have been doing that – now if I could only get a financially lucrative opportunity to say yes to!
  11. + Monitor progress weekly and monthly – Okay, maybe not, but I’m doing it now, right?
  12. x This one’s new – Rewrite my Original Pilot until it’s tight and awesome, then do another draft on my White Collar Spec, so I’ll have three strong samples, and start finding people to read them once they are really ready.
  13. x Get a real job with a paycheck and health benefits in the entertainment industry. I’ve been looking, but it’s tough out there
  14. x Start to form a real plan to move to LA

There you have it – the + means I’m making progress, the – need more attention, and the x means new. See you soon… Keep writing!

Fellowship Applications: What Not to Do

Last year, around June 8, I decided to enter the competition for NBC/Universal Writers on the Verge. I didn’t have a completed spec, or even a half-completed spec, but felt that if I worked hard on it, I could get it in time for the June 29th deadline. I decided to write a Vampire Diaries Spec, because I had been watching it with my teenage daughter and I thought it was fun and it fit the specifications of being popular, renewed and in its first three seasons.

Actually, Season two had just wrapped up, and that gave me about forty-four episodes to study, most of which I had seen. The first thing I needed to do was to find some scripts to see how the show was formatted and get a feel for the style of the writing. As it turned out, CW scripts are hard to come by, and I was only able to get my hands on the pilot. What I couldn’t learn from that, I had to make up or glean from the show.

For the next three weeks I worked very hard to get the script together, 8 to 12 hours a day. I hadn’t done a spec script and was still learning how TV story lines intertwined. What I ended up with was a polished first draft, but a first draft nonetheless. Being an egomaniacal newbie writer, I sent off the script, convinced that even in its unfinished state, my natural talent would shine through – Hah! On the day it was due, I slaved away on my computer until the last possible moment, finishing up the essay questions and filling out the application. Of course I never heard from them.

This year I’m doing somewhat better. Having spent the rest of the summer rewriting my spec, I sent it off to a contest in which it placed in the quarterfinals. That alerted me that another draft was needed. I took the time to rework it, cut it down considerably, and through the process of several evaluations over the life of the script, I got it close to the best it could be.

This year, I have already applied to Disney and WB. Thankfully, I learned my lesson and had my essays written, reviewed and rewritten well in advance. The actual preparation of the applications took much longer than I anticipated, so I was very happy to have given myself that extra time. Weeks before the deadline, I asked some friends in the industry for letters of recommendation, which they agreed to do. I ended up with three glowing letters to choose two from, and felt that the application I sent off would be seriously considered. I had done all I could do.

I’d say the most important lesson I’ve learned is that I never want to show anyone work that is sub-par. Second, another set of eyes will always see something I’ve missed, so it makes a lot of sense to have my work evaluated by a trusted advisor. Third, everything takes longer than I think it will, so I have to leave extra time to do it right.

That’s what I’ve learned to date about applying for Fellowships and Workshops. If you have any insight to the process, I’d love to hear about it.